Tag: The Rolling Stones
It was fifty-four years ago this week, specifically June fifth, 1964 when The Rolling Stones were met by over 500 fans as they arrived on BA flight 505 at Kennedy Airport for their debut US tour. The Stones held a press conference and then guested on the prestigious “5th Beatle”, DJ Murray The K’s radio program!
Although, the band was on the east coast, they then proceeded way out west to perform their first show in America in….wait for it…..San Bernardino Calif. at San Berdoo’s Swing Auditorium, they played no major cities on the west coast! In fact the closest The Stones got to playing L.A. was an appearance on “Dean Martin’s Hollywood Palace “ T.V. Show, which the band hated and regretted their agreement to appear!
The tour lasted a mere fifteen day’s with a total of only eleven shows, concluding on June 20th at Carnegie Hall in New York! As they traveled thru the tour, they took time to stop at the legendary Chess Records studio’s and record their next single “It’s All Over Now” as well as their instrumental 2120 South Michigan Ave. a tribute to the label’s famed location…
As the frantic, poorly planned tour criss crossed the U.S.A The Rolling Stones we’re constantly at odds between their fantasies about the U.S. and the realities that were 1960’s America!
….”You Can’t Always Get What You Wanna”…..Can ya ?
Here are The Stones with their classic, 2120….
No question, when we talk about 60’s music our focus and “Ground Zero” always turns to “The British Invasion” ! At one point in the mid Sixties statistics indicate that nearly every other record in “The Top 40” was performed by a resident from The United Kingdom. However dear reader, we have a question for your consideration….Would there or could there have been a “British Invasion” if John had never met Paul and they never formed The Beatles? In the late 50’s a burgeoning music scene was growing exponentially with “Skiffle” music taking root and taking hold of every youth in the U.K. Skiffle music was a kind of mix of jazz, country and jug band, played on the most rudimentary instruments, one or two stringed guitars wash boards, you get the drill and it required very little skill. In fact, as the 50’s came to an end it was estimated that there were as many as 30,000 to 50,000 Skiffle bands in The United Kingdom ! Many of course attempted to record but the records only got attention, if any, in the band’s home town, Skiffle didn’t travel well to say the least. However, you may recall a record called “Rock Island Line” by Lonnie Donnegan? The poster child for Skiffle and perhaps the only record from the Genre to get play in the U.S. But as the 60’s arrived Skiffle music and it’s players matured and a new “Beat” sound ( completely influenced by American Rock n Roll ) took over
Hundreds and hundreds of new artists began appearing in several urban centers around the U.K. Primarily Birmingham, Manchester, London and of course…..Liverpoole ! Where John, Paul, George and Ringo were one of over an estimated 350 new bands looking for work ! Along with other locals like The Searchers, Gerry and The Pacemakers and Cilla Black. ALL by the way managed by Brian Epstein. A similar scene was playing out in London where every night every club was sold out and London’s “swinging” youth rocked out to the very young Rolling Stones, Spencer Davis ( featuring a 15-year-old Stevie Winwood ) The Yardbirds, Dusty Springfield, Dave Clark Five and Moody Blues, while up in Manchester you could hear Graham Nash with The Hollies, Peter Noone with Herman’s Hermits and the wacky Freddie and The Dreamers. All getting a little traction in their hometown yet none of them ever dreaming they would conquer America. In the U.S, we heard little about these artist and their music. The only English Exports we were aware of was Cliff Richard, in the U.K. he was known as “The English Elvis” Although he had the looks and a decent enough voice,for Americans, there was nothing about Cliff that remotely resembled The King ! His slick pop songs only widened the musical gap between The U.S. And The U.K.Cliff struggled for acceptance in America but it never happened. The fact is prior to the British Invasion ,only two English recordings made it to the American top spot…. “Stranger on the Shore by Mr. Ackerman Bilk, an instrumental, and “Telstar” by The Tornados, yet another instrumental ! Reminding us of the quote from George Bernard Shaw “The U.S.A. and Great Britton, two great countries divided by a common language”…..Think about it !
The British Invasion quickly spoke loud and clear to that division, and somehow they did it without that odd sounding accent. The U.K. Was rich with talent and music was percolating in every corner of every city, town or hamlet. In retrospect it seems simply inevitable, the British Invasion would have to happen with or without The Beatles ! BUT WE SAY NO WAY ! Without The Beatles, there would never be “A British Invasion. We all agree on the incredible talent pool languishing within her Majesty’s gates, but between “The Old Garde” thinking in the U.K. And the “We know everything” thinking in the U.S. The “Invasion” needed a catalyst, something so original, yet so familiar! Something undeniable and worthy. Something to get and keep our attention across the pond and not on American Bandstand
We aren’t going to go any deeper on The Fab Four, you’ve been there, you already know it all, and we simply don’t have the time or space to tell their story once again ! Our point is…..”No Beatles, no British Invasion. However, we further believe you’d still be enjoying all your favorite English artists, only with slight variations. ( reader alert, blasphemous commentary coming ) We believe if the Beatles never came together only Paul is a “sure thing” in achieving “Superstar” status….his overall affable attitude, musicality, classic songwriting sense, musicianship, incredible vocals, stage presence and good looks makes Paul undeniable ! Lesser so with John mainly due to John’s anger and attitude, for us John also comes up a bit short on versatility. John would always be the creative focus for any band and could have enjoyed a successful solo career, but nothing like the heights McCartney would hit ! George would be well-regarded as an original and dynamic guitarist / songwriter. But it’s hard to imagine George having a solo career if he’d never been a Beatle ! Same goes for Ringo, he’d be a most “Sought after drum player with several credits on his résumé but regular folks wouldn’t know his name!
If The Stones never caught on we believe we’d still own records that feature Mick and Keith, their “perfect fit as songwriters collaborators and performers, as well as their bond and ambition would drive them on together…Somehow !
Only Blues/Rock Junkies would be listening to the Yardbirds, and without support and success in the U.S. It’s likely there would never have been a “Led Zeppelin, but Clapton would be…..Well, CLAPTON ! Eric may be the only British Invader whose career track would be exactly the same….With or without a British Invasion !
The same could be said for Peter Asher from Peter and Gordon. After his successful run with Gordon Waller Peter turned his energies to his ability as a manager and producer, remaining active, involved and meaningful…
AND….Dusty Springield, In 1964 the English press already named her “The Greatest Blue Eye’d Soul singer in the world. In the same week The Beatles debuted on Ed Sullivan, Dustys first single “I Only Want To Be With You” was shooting up the U.S. Charts ! Dusty’s soulful voiced would have shined on America no matter what !
Lastly, for the Freddie’s and the Hermans and the other drummers, bass players and keyboardist who populated The British Invasion but never got their ” Close Up” on The Ed Sullivan Show, many are still working doing reunion tours and special British Invasion appearances. If you want to see them, they’re out there especially in America !
But, before you rush out…. WHAT DO YOU THINK ? COULD THERE HAVE BEEN A BRITISH INVASION IF THE BEATLES NEVER CAME TOGETHER ?……….And of course any further thoughts you may have !
Yeah, Yeah, YEAH !
You of course remember and are a bit curious about the mercurial, reclusive, quiet, gum – chewing former Bass player for The Rolling Stones Bill Wyman? When it came to the success and fame of the Stones Bill was, at best indifferent . Bill avoided most of the trappings of a rock stars life, while he enjoyed a drink only once in a while and hardly touched POT Wyman claimed he was addicted to girls! In fact in 2001 Maxim magazine put him in the top 10 for bedding women, at that time Wyman asserts he had slept with over 1000 women. But, dear reader get out your calculator and slide rule cuz here’s where it gets complicated. Bill got married to his first wife Diane in 1959, they had a son Stephen Paul Wyman in 1962 and the couple was divorced by 1969.
On 2 June 1989, aged 52, Wyman married 18 YEAR OLD Mandy Smith, whom he had been dating since she was 13 and he was 47 years old. According to Smith, their relationship was sexually consummated when she was 14 years old! “YIKES” Their relationship was the subject of considerable media attention until it ended in 1993 when he met Susanne Accosta, 37 years his junior, married her and had three daughters!
Ahh, but here’s where it gets even stranger? Stephen Paul, Bill Wymans first son would grow up to Marry Mandy Smith’s Mother, Patsy Smith. You got that? Yep!, Bill Wymans son, grew up and married his Step- Mothers MOTHER!……or, you can say he married his dad’s “Mother in Law”! Stephen Paul Wyman was 31 Patsy was 49 !!!
We’d love to hear your opinion or story about Bill Wyman Or perhaps you were married to him ?
It was 50 years ago this week, Nov 3rd, 1967 that Rolling Stone Magazine, a weekly publication located in San Francisco Calif. published it’s debut issue Rolling Stone # 1…The founder and publisher Jann Wenner was a huge fan of Rock and Roll and the men and Women who created it. Jann lived in a loft in The Bay City with his girl friend and simply said one day “I’m starting a magazine about Rock Music. Jann had become friends with a columnist from The San francisco Chronicle Ralph J. Gleason who wrote feature stories about politics, they partnered up and had what they thought was the perfect blend for a magazine “Directed at The new “Hippie Culture” and they were on to something. Rolling Stone Magazine took off like a rocket and soon became the weekly Bible, yes, for the “Hippie community ( who ever that was ) but to the millions of fans of 60’s music and the culture all around it. The first issue featured John Lennon on the cover with a promotional photo of John from his recent debut purely as an actor in the Richard Lester film “How I won The War”
But, here’s the best part, to initially attract Jann’s perceived core audience. The first issue came with a free “Roach Clip” attached to the front page…..For those of you unfamiliar to the word “Roach Clip” ask your parents! And no, it has nothing to do with pesticides! In 1967 my buddies and I bought four copies, just for the free clips.
However, to our broader point, consider this between 1965 and 1967 culturally we were besieged with “Rolling Stones. In 1965 The Rolling Stones released their debut album called “England’s newest Hit Makers, The Rolling Stones” and in that same year Dylan released his first number one with “Like a Rolling Stone”
Radio stations curios as to the musical origin started playing an old Muddy Waters record called, what else? “Rolling Stone And in 1966 Dylan added a bit more Rolling Stone Flavor when he released his single “Rainy Day Women 12 and 35 whose chorus includes a “partying” sing a long of “Everybody must get stoned” preceded by verses chronicling all the ways the world can “Stone Ya”. ….. INDEED!….And in 1967 Laura Nero gave us “Stoney End”
Lastly When we believed the “stoning may be behind us we have to thank the Great Temptations for resurrecting “Rolling stone” in 1971 with their iconic classic “Papa was a Rolling Stone”
But now, let’s enjoy this rare classic live recording that started it all….
You’re gonna love this ( and read below for an update ) On this day, July 8th in 1959, The Esso gas company introduced a campaign claiming that listening to “Rock an Roll” music on the radio while driving would result in poor gas mileage. The Esso researchers asserted that “The driving beat of Rock music caused the driver to press heavier in the gas peddle, wasting America’s latest precious resource…..HUNH?
Don’t know about you but we find it so strange and counter intuitive! Especially when you consider that Esso was in the business of selling as much gasoline as possible..
It also underscores the level of confusion and disdain Rock music was initially met with…
“Rev it up, rev it up, buddy gonna shut you down”
What do you think?
SMS UPDATE! You’re gonna love THIS more. On this date, Sept. 15th 1965….
The Ford Motor Co. debuted The 8 Track Tape Player as on option for their entire line of vehicles, less then 5 years after ESSO Gas warned that listening to rock music in the car will reduce your gas mileage!….
Ah, but here’s the rub; As 8 Trk home equipment was still one year away, new 8 TRK Tapes could only be purchased at “Automotive / Auto Parts stores!
Do you remember “Mad Man Muntz” ?
His Green and Purple car parts and electronics stores became extremely popular with a whole new clientele overnight, selling these new 8 TRKS…
And, get this in 1967 alone “Mad Man Muntz did over $30,000,000 in car stereo’s and tapes!
Did you ever shop there?
Did you have one of those “infernal” 8 TRKS in your car?
Just for fun…Here’s “Shut Down” by The Beach Boys from1963…
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Didja know that on this date June 7th in 1964 The Rolling Stones were in the middle of their first tour of America
At their performance in San Antonio Texas, the band was Boo’d off the stage. The quick thinking promoter immediately brought the opening act back out on stage……However, that act was a group of performing MONKEYS!….
We’re sure there’s a great joke in here somewhere, but we’ll let it go….Meanwhile, here’s “Monkey Man” by The Stones..Give it a click!
THE BRITISH ARE COMING ! THE BRITISH ARE COMING ! We have discussed, analyzed, argued and reminisced about the incredible diversity of music that coalesced during the 1960’s. However, we believe there is one musical event that dominated and defined the musical landscape of the 1960’s more than anything else…”THE BRITISH INVASION”
The invasion actually commenced in January of 1964 when an unknown band called The Beatles released their new record “I want to hold your hand” in America, the first week of January. Incredibly by Jan. 25th the single shot to number one on every pop music radio station in America….Less than three weeks later Feb. 9th, The Beatles and Ed Sullivan changed the T.V. business, the music business, made history and galvanized a template and strategy that opened doors and paved the way for a wave of talent who all “talked funny” but sang great, in what occasionally sounded like a foreign language….. English! “Mods” “Rockers” the artists you loved, the ones you hated or didn’t understand. The ones you felt “You discovered” and the ones that got away…..until a little later!
As 1964 unfurled in America, day after day, week in, week out we were introduced to and fell in love with, another talented BRIT ! Yes, The Beatles led the front with The Rolling Stones at their flank and the most incredible Rank and File ever assembled marching in perfect formation toward their destination / target….America!
And on they came…. a quick glance from our Eastern shores “across the pond” and you could almost hear The Modern English Armada shouting “Hail Britania”!….We know what your thinking, “Yes! Bring ’em on” The Stones, The Kinks, The Animals….Ahh, but slow down Yankee Doodle, you’re about to be surprised by some of the names and numbers. The Beatles had established their enormous beachhead stateside, so who was the next great Brit to invade America’s airwaves?
In the U.K. She was called “The greatest white soul singer in the world and as far as we’re considered “They was right” ! In February of ’64 Dusty Springfield’s powerful “I only want to be with you” pounced on us shot past The Beatles as they we’re wrapping the Sullivan shows and again from know where charted in at number twelve. We blinked and by the end of March, everyone was proclaiming The Dave Clark Five were “The next Beatles” From these early days in 1964 “They commenced to coming'” for at least the next two plus years! Do you recall Peter and Gordon (“World without Love” a Lennon McCartney song, I go to Pieces” a Del Shannon song, and of course “Woman” credited to Bernard Webb but written by McCartney)The Animals (House of the Rising Sun and “Don’t Let Me Be Misunderstood”j Manfred Mann (“Doo Wah Diddy”)Petula Clark ( “Downtown” and”I know a Place”) Donovan ( before “Sunshine Superman” there was “Catch the Wind” and “Colors” ) Freddie and the Dreamers ( “Do the Freddie” and “I’m Telling You Now”) Wayne Fontana and the Mindbennders (“The Game of Love”) Herman’s Hermit’s ( “I’m into Something Good” “Henry the eighth” and a half-dozen more) The aforementioned Rolling Stones ( Time is on my Side” and “Last Time”) The Dave Clark Five (“Glad all Over” and Bit’s and Pieces”) Billy J. Kramer and The Dakota’s (” Little Children” and “From a Window” another Lennon McCartney comp.) The Searchers (“Needles and Pins” written by Sony Bono) The Bachelors, (“I Believe” and “My Diane”) Chad and Jeremy ” (“A Summer Song” and “Yesterday’s Gone”) Gerry and the Pacemakers (“How do you do what you do to Me” “I Like it ” and Ferry ‘Cross The Mersey”) Their manager Brian Epstein, yep that Brian Epstein, produced a B-Movie short film about ” Ferry” ( a Movie about and starring Gerry Marsden who wrote the Title song. Epstein eventually sold this nothing movie which he then coupled with “A Hard Day’s Night” as the opener for the Beatle film! Epstein also insisted that The Beatles record their own version of “How do you do”) written by “Gerry Marsden. But The Beatles vehemently resisted the idea! ( However there is a version you can find on the Beatles Anthology series and various bootlegs…..Talk about feathering your nest? Mr. Epstein Puh-Leeze! But we digress,How about The Honeycombs with A GIRL DRUMMER (“Have I The Right”) Them (Baby Please Don’t Go” and “Gloria”) Tom Jones (“It’s Not unusual”) The Yardbirds (For Your Love”) The Yardbirds also have bragging rights to have included, Jeff Beck, Jimmy Page and Eric Clapton as their lead guitarist thru their brief career! The Spencer Davis Group (“Gimmie Some Lovin” and “I’m a Man”) featuring an incredibly soulful 17 year old Stevie Winwood! The Kinks (“You Really Got Me” and All Day and All of the Night” “Tired of Waiting For You”) How about the unbelievable harmonies of The Hollies (“Look Thru Any Window”and “Bus Stop”and “Stop, Stop, Stop”) The Zombies (“She’s Not There” and “Tell Her No”) and finally The Who (The Kids Are All Right” and “My Generation) Their second single in the U.S. “generation” incredibly ends with an insane DRUM SOLO by Who drummer Keith Moon!…
What’s so incredible is all these artists had at least one or more number one records in the U.S.A. From January 1964 thru December 1966!
We should note here that in 1965, The Weekly Billboard singles chart featured an artist from the British Commonwealth in the number one position 26 of the 52 weeks of publication…On May 8th of the year, that weeks Top 10 was controlled completely by British Acts with one exception, Gary Lewis and the Playboy’s “Count Me In” held in at number Two…
Math is not our strongest suit, but consider the charts and the 26 British Artists we sighted, it’s clear between ’64 -’67 at least every other record on American radio was a Great Britonian!
Lastly we must note in 1964, April 4 The Beatles held the Top 5 chart spots in America. No other Artist has ever achieved that fete before or after….Not even the top 3!
We know we’ve probably missed one of your faves, but our purpose wasn’t to unveil the obscure….But to jog loose some great memories and perhaps dust off a few old 45’s…
Most importantly we want to hear from you…We’re you there? What was your experience and perspective about the second time the U.S. was under siege by “Mother England”…..The 1960’s…
In the beginning it was Dusty..
Then Dave Clark was Glad to come along…
Later, Gerry…The Ferry song…
And on with the X Y Z’s…Zombies…
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It was on this very day, Sunday, January 15, 1967 that the Rolling Stones appeared on The Ed Sullivan show to perform their new single. “Let’s Spend The Night Together” After reviewing the songs lyric Mr. Sullivan demanded that they change the lyric to “Let’s Spend Some Time Together! During the live performance, an obviously annoyed Mick Jagger could be seen “rolling his eyes each time he sang the changed lyric..Only to have Ed Sullivan announce that The Rolling Stones were forever banned from ever appearing on his show again!
Yes, Mr Ed was a tough guy, but The Stones took it in stride, in fact they just released their latest Album last month. 50 years later!
Did you see the program that Sunday ? It was priceless! Pictured above, Mr. Sullivan giving Mick ” A Stern Talking To”!…
Here’s the original “Offensive recording…
Were you there? I was! In the mid sixties, Southern California became ground zero for the two greatest concert events of the decade and the generation who embraced them. The T.A.M.I. Show and The Big TNT show. Happening in 1964 and 1965 respectively. Both events promised to be “Ground Breaking, powerful and feature the greatest artists from all over the world and up and down the radio dial and to their credit, as history has proven, THEY DELIVERED…..
The buzz about The T.A.M.I show actually began in So. Cal months before the concerts Oct 29th debut. The event’s name alone grabbed us from the start T.A.M.I…”The Teenage Awards Music International! Show” Yeah, a very cool mix of James Bond and American bandstand. A flyer for the show also stated that T.A.M.I. Was a non-profit organization. Non of us had a clue as to what that meant, but it just added to the mystique of this incredible event. The big question for me and my friends was, just who was appearing? With names like The Rolling Stones, The Beach Boys Gerry and the Pacemakers and The Surpremes being confirmed daily, it was quickly rumored that The Beatles were headlining…..Not a chance, but, with the artists mentioned above along with Jan and Dean James Brown Leslie Gore, Marvin Gaye, Chuck Berry and Smokey Robinson my friends and I knew “We hadda be there” The “There” being the Santa Monica Civic Auditorium, an easy 40 minute car ride from our hometown of Eagle Rock Calif. and in 1964 none of us were old enough to drive. So, one of our moms drove us to Santa Monica.The potential for horrible humiliation was huge but soooo worth it. After all tickets were free to boot! But! In no time, were there, SORT OF. Off the freeway and into the streets of Santa Monica, it’s a parking lot, cars are bumper to bumper and no ones moving! This was the Civic’s first big concert event and the auditoriums concert hall only sat 3000 and no one was prepared for the onslaught of teen age music lovers descending on Santa Monica for a free show of Superstars. But, as we slowly crept toward the venue we noticed something truly awesome to a carload of young eager boys nearly every car we pulled next to was filled with excited young girls! All heading to The T.A.M.I. Show! YES! Thank you God. The truth is, the producers of the show visited all the local high schools in the area and handed out free tickets to the female students. Talk about “papering the house? But….We made it through the traffic past a security line that was primarily focused on the young girls in attendance and where they would be seated. My buddies and I were simply happy to be there among them, although we quickly learned one of music’s great lessons….The girls are out to meet “The boys in the band” and you are either in the way, or can help them out… OUCH
Meanwhile, we nervously fidgeted in our seats, looking over our shoulders and scanning the room. The unspoken truth was all of us had received a stern warning from our parents. They noted that The T.A.M.I show would feature as many “Soul Singers” ( or as we’d say today ” artists of color”) as “White” artists and racial tensions were likely to escalate. Our parents were right about the racial mix of artists. The T.A.M.I. Show stage embraced a line up of musical and racial diversity like no one had witnessed before. Frankly, even the producers were a bit concerned. However, the sad truth was, as my friends and I observed. We were part of this historic event and to our surprise an entirely all white audience! But, the lights go down, the curtain goes up and a mega ton blast of youthful energy explodes in the room and all any of us can see are the greatest artists of our generation! Everyone performed live, there was NO lip syncing at The T.A.M.I. Show. The sound was great and the backing band ( under the direction of Jack Nitzshe were tight, sounded awesome and backed each act with note by note perfection. Makes sense as the T.A.M.I. Show back up band went on to be known as “The Wrecking Crew and they actually were the session players who originally played on most of the records being performed at the show and so it went on… Artist after Artist, hour after hour. Jan and Dean opened the show and emceed, proving they were more than just Frat house boys who could harmonize. Chuck Berry followed and proved that he was, well….”Chuck Berry. Yes he sang “Maybelene” but it was his guitar playing that left us slack-jawed and in awe, The Beach Boys were still mastering their instruments and coalescing as a band. But their vocals were impeccable The same could be said for The Surpremes, plus this is 1964, prior to Diana Ross becoming Thee Diva.
As an audience we were stunned with each act being better than the one before…A teenage Leslie Gore strutted on stage and took over playing hit after hit exactly like they sounded on the radio. As did Marvin Gaye…
However, it’s the finale of The Tami show that much has been written about, and you probably know. The legendary argument over who would close the show, James Brown or The Rolling Stones. It’s here at The T.A.M.I. Show where Mr. Brown famously proclaimed “Nobody follows James Brown” But that night somebody did, The Stones. How the producers pulled it off is anyone’s guess. So we’re guessing CASH was involved. Never the less even Mr. Brown calls his performance the best of his career and it was that show where James introduced his legendary antic of ending his show by faking exhaustion and falling to his knees in a “Cold, Cold, Sweat” only to be rescued by one of his crew who drapes a cape over James and helps him to his feet, all the while resisting and claiming he can go on!….High drama, great theater and partly why James Brown is a legend. Ya hadda see it!
meanwhile, The very nervous Rolling Stones sat backstage and watched this entertainment inferno ignite the stage and the audience. The crowed was on fire Everyone was on their feet, everyone who wasn’t screaming was crying backstage Mick and Keith agree that following James Brown was the worst decision they ever made. Mick is still in the infant stages of perfecting his “Satanic Rooster” moves, he turns to Marvin Gaye and asks “What do I do”? Marvin replies, “Anything you feel, that’s what I do, that’s what James does”
The rolling Stones go on and Tear down the house…Ya Hadda Be There…Were You there? If you were, SMS is eager to hear about your experience…and all your memories…
But here comes the best part,….. Scroll down to a recent post from Jimmy enjoy Mr. Browns legendary performance…….From The T.A.M.I. Show!