In recognion of this week’s release of Jacob Dylan and Andy’Slater’s new feature documentary “Echo In The Canyon,” which showcases and celebrates the many incredible artist’s who populated So. California’s Laurel Canyon. We thought it would be a timely idea to re-post our piece from 2016 about those celebrated artists, known as “The Laurel Canyon Mafia”
Don’t miss Jacob and Andy’s Great Movie and enjoy our take all about Laurel Canyon and her famous residents!
Yes, Virginia, there was a “Laurel Canyon Mafia”.
Laurel Canyon, a cozy hamlet centered in the low-lying Hollywood hills, looming over the infamous Sunset Strip and acting as a geographical and cultural divide between L.A.s San Fernando Valley and West Hollywood. Laurel Canyon was a veritable magnet for all creative types, most notably in the 1960’s musicians and recording artists, but the names that make up the residents, friends and neighbors of ” The Canyon” read like a murderers row of “Hitmen and Women. They made the rules, broke the rules, but unquestionably they simply ruled the world of music in the 60’s. They worked together, created together and of course slept together while consistently making the greatest music of our generation or anyone’s.
So, who were ” The Laurel Canyon Mafia? Let’s see if any of these names sound familiar. The Byrds, The Doors, The Turtles, The Buffalo Springfield, The Mama’s and The Papa’s “Crosby, Stills, Nash and Young” Joni Mitchell, Carole King and Linda Ronstadt. ” The Mafia” we’re a warm welcoming gang so the residents frequently included the transient Beatle, Stone or other rock royalty, just passin’ through and “Looking for a place to crash” The legend and tales of The Laurel Canyon Mafia are notorious and numerous, so let’s begin early on when a young Richie Furay and Stephen Stills were in Laurel Canyon working on material for their new as yet unnamed band, with Bruce Palmer and Neil Young.
While discussing what to call the group they were interrupted by the roar of a steamroller working outside. Looking up, they saw the machine with its manufacturer’s name emblazoned on its side… There it was “Buffalo Springfield” BAM, history made from the blast of a diesel! Years later during a birthday party for Joni Mitchel Mama Cass invited her neighbors Stephen Stills and David Crosby over for lunch, Cass insisted she instinctively knew their voices would have a magical blend if they harmonized together. Stephen and David gave it a try, when her friend Graham Nash dropped by he heard Stephen and David harmonizing on a new song of Stephens and simply said “Sing that one again” Graham spontaneously dropped in a perfect third Harmony and BAM, right in Mama Cass’ kitchen, Crosby, Stills and Nash are born.
The influence this unusual community had on the artists is undeniable. On the day Graham Nash moved in with Joni Mitchell, he wrote about it (first Verse) ” I’ll light the fire, while you place the flowers in the vase that you bought today, ay, ay, ay,” ” Our house is a very, very, very fine house” Unfortunately, as word about the community spread, Laurel Canyon became a kind of tourist attraction especially among young women hoping to meet and “get to know” their idols.
Perhaps the most blatant song about the growing saga of Laurel Canyon was the final hit single from The Mama’s and The Papa’s “Twelve Thirty” written by the groups patriarch John Phillips. History will indicate that John, perhaps revealed a little too much information, admitting lyrically in the song’s chorus, ” Young girls are coming to the canyon, and in the morning I can see them walking, I can no longer keep my blinds closed and I can’t keep myself from talking”Whaddya think ? The Doors classic ” Love Street” Yup, smack dab in Laurel Canyon !…..Any stories anyone?
Meanwhile, enjoy this rare, unique and beautiful performance by Joni of her Masterpiece!